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怀旧与乡愁:When Everyone Was Pregnant/John Updike

Thursday, March 11, 2004

虽然有人说John Updike文笔造作,但我喜欢他文字的轻巧。偶然读到When Everyone Was Pregnant——Updike写于1971年的小说——这种感觉更加强烈。

小说是对五十年代的纪念。那时候,万事都勃勃有生机(everyone was pregnant, 好题目),但生机里也有不少naivety,不少rashness。

我一直没有当它是小说读。才短短四五页,也没有什么连贯的情节,看二十年前的事情,就觉得是繁星满天。

Katharine's husband Jerry had only one eye, ..., saying across to Sarah Harris, her pregant in a big flowered dress, sitting dreaming in a plush wing chair, "Sarah, sitting there you look just like a voluptuous big piece of wallpaper!" I thought, has only one eye, everything looks flat to him. Sickening sensation of love.

Years later I said to Sarah "You voluptuous piece of wallpaper you" but she had forgotten and I had to explain.

很美好。但也有另一个层次的:

The brown line on her belly a woman brings back from the hospital, after being pregnant. Nobody had ever told me that line existed. Why handn't they?

孕育生机的五十年代也带来不少未曾预料到的事情:就好象生育后留在妻子肚子上的那条黄线。那个时代,就像那个时代怀孕的女人,美好而且充满了期盼,而日后的衰败还没有来临。

Updike的When Everyone Was Pregnant使人不由地怀旧,乡愁从读者的心里浮起来,仿佛我现在看到《friends》里的几个演员,想起七、八年前我刚到美国时看到的他们,惊觉人衰老地那么快!

但Updike的nostalgia并不是容颜易老的简单nostalgia,它包含了对那个时代的反思:

Guiltlessness. Our fat Fifties cars, how we loved them, revved them: no thought of pollution. Exhaust smoke, cigarette smoke, factory smoke, all romantic. Romance of consumption at its height. Shopping for baby food in the gaudy trash of the supermarkets. Purchasing power: young, newly powerful, born to consume. To precreate greedily. A smug conviction that the world was doomed.

   

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